The Holdovers 2023

United States · English · 2023

The Holdovers

2h 13m R Comedy Drama

"Two weeks at school over Christmas."

Christmas, 1970, at a New England boarding school. The unloved ancient-history teacher is left to supervise the small handful of students with nowhere to go for the holidays. Alexander Payne shoots like a recovered Hal Ashby print and gives the closing voiceover the right kind of warmth.

Directed by Alexander Payne  ·  Starring Paul Giamatti, Da’Vine Joy Randolph, Dominic Sessa

About The Holdovers

Christmas, 1970, at a New England boarding school. The unloved ancient-history teacher is left to supervise the small handful of students with nowhere to go for the holidays. Alexander Payne shoots like a recovered Hal Ashby print and gives the closing voiceover the right kind of warmth.

Released in 2023 and running a tight 2h 13m, The Holdovers sits firmly in the comedy tradition that American art-house cinemas have spent the last two decades quietly defending. The film is rated R and presented in English.

Director: Alexander Payne

Alexander Payne belongs to the cohort of directors whose work tends to land first at festivals — Sundance, Locarno, the New York Film Festival, SXSW — before opening on a small handful of screens in New York and Los Angeles and then rolling out, week by week, to the independent circuit elsewhere in the country. The Holdovers is part of that pipeline. If you have responded to this film, the director's other available titles in our catalog are listed in the sidebar; Alexander Payne's filmography rewards sustained attention.

Cast

The principal cast — Paul Giamatti, Da’Vine Joy Randolph, Dominic Sessa — is the kind of ensemble that art-house audiences will recognize from adjacent festival titles. Independent casting tends to favor performers who can carry a long take, hold a quiet scene, and trust a director's control of pace; this film is no exception.

Where to watch The Holdovers

Our seasonal catalog — an editorial sample of the circuit, not a live ticketing feed — places it at independent cinemas in 12 US cities. Coverage is deepest in:

If your city isn't on the list, the film may still surface on a future repertory week or festival weekend; check our full cinema directory.

Why it belongs on the indie circuit

The independent and art-house exhibition circuit exists to surface films like this one — work that doesn't fit the wide-release calendar, doesn't have the marketing budget of a studio tentpole, and depends instead on programmers, critics, and word-of-mouth to find an audience. The Holdovers is a clean fit for that model: a 2h 13m comedy work, made outside the studio system, that benefits from being seen on a real screen with a real audience rather than queued up on a streaming dashboard. The cinemas in the cities listed above are the venues doing that work for this title.

Cross-references

If you are building a viewing schedule around this film, our Comedy genre hub indexes adjacent work in the same tradition.