About The 400 Blows
Antoine Doinel is a Parisian schoolboy whose teachers, parents, and city all seem agreed that he is a problem to be moved out of sight. Truffaut’s autobiographical first feature follows him through small thefts, a night in a police van, and a final long run to a beach he has never seen, ending on a freeze-frame that Cahiers du Cinéma critics are still arguing about.
Released in 1959 and running a tight 1h 39m, The 400 Blows sits firmly in the drama tradition that American art-house cinemas have spent the last two decades quietly defending. The film is rated NR and presented in French, with English subtitles at participating venues. Read a contemporary review — useful before you book a ticket.
Director: François Truffaut
François Truffaut belongs to the cohort of directors whose work tends to land first at festivals — Sundance, Locarno, the New York Film Festival, SXSW — before opening on a small handful of screens in New York and Los Angeles and then rolling out, week by week, to the independent circuit elsewhere in the country. The 400 Blows is part of that pipeline. It is the only title from François Truffaut currently in our directory; if you want to keep tabs on the director's other work, follow the festival circuit notes from the criticism outlets linked at the bottom of this page.
Cast
The principal cast — Jean-Pierre Léaud, Claire Maurier, Albert Rémy — is the kind of ensemble that art-house audiences will recognize from adjacent festival titles. Independent casting tends to favor performers who can carry a long take, hold a quiet scene, and trust a director's control of pace; this film is no exception. Cast notes and credits are useful for tracking through other adjacent indie work.
Where to watch The 400 Blows
Currently playing in 12 US cities across our directory. The deepest scheduling is in:
- Los Angeles, CA — booked at 3 independent cinemas.
- Boulder, CO — booked at 2 independent cinemas.
- Chicago, IL — booked at 1 independent cinema.
- Santa Cruz, CA — booked at 1 independent cinema.
- Waterville, ME — booked at 1 independent cinema.
- Grove City, PA — booked at 1 independent cinema.
- River Falls, WI — booked at 1 independent cinema.
- Shoreline, WA — booked at 1 independent cinema.
- Chapel Hill, NC — booked at 1 independent cinema.
- Grandview Heights, OH — booked at 1 independent cinema.
- Cleveland, OH — booked at 1 independent cinema.
- Carlsbad, NM — booked at 1 independent cinema.
If your city isn't on the list, the film may still surface on a future repertory week or festival weekend; check our full cinema directory, or browse the next seven days of showtimes for last-minute additions.
Why it belongs on the indie circuit
The independent and art-house exhibition circuit exists to surface films like this one — work that doesn't fit the wide-release calendar, doesn't have the marketing budget of a studio tentpole, and depends instead on programmers, critics, and word-of-mouth to find an audience. The 400 Blows is a clean fit for that model: a 1h 39m drama work, made outside the studio system, that benefits from being seen on a real screen with a real audience rather than queued up on a streaming dashboard. The cinemas listed in the schedule above are the venues currently doing that work for this title.
Cross-references
If you are building a viewing schedule around this film, our Drama genre hub indexes adjacent work in the same tradition. Programmer notes are sometimes the fastest way to triangulate which other films share a sensibility.